My practice explores the relationships between the built environment and the natural environment through a photographic approach that combines observation, transformation, and visual recomposition. Trained in architecture and shaped by the experience of migration, I approach the city as a space of tensions and superimpositions, where individual and collective narratives are inscribed in the very materiality of place.
My work is distinguished by an aesthetic that reveals the invisible layers of the urban landscape: traces of transformation, zones of friction, moments of unexpected harmony. Through color photography and digital manipulation, I create images in which reality is amplified, reinvented, and sometimes destabilized. Textures, colors, and light become structuring elements that give my works a strong and immediately recognizable visual presence.
Analog collage also occupies an important place in my practice. Using my photographs as raw material, I construct compositions in which urban fragments are recomposed into new narrative forms. This work on the physicality of the image — cutting, layering, reassembling — allows me to create unique pieces that highlight the material and sculptural dimension of my practice.
Artist books and photobooks complement this body of work by offering formats in which sequence, rhythm, and visual narration play a central role. They allow my research to extend beyond the isolated image, toward immersive and coherent experiences.
My work proposes a sensitive and contemporary reading of the urban landscape. It invites viewers to reconsider their relationship to the spaces they move through daily, while offering works in which visual strength, materiality, and aesthetic construction occupy an essential place.